Friday, 21 October 2016

Still life in Autumn light

PA720 Still life in Autumn light. Oil on canvas 26 x 36 cm Neil Bolton Fine Art Painter

Saturday, 15 October 2016

Ash tree and hedgerow in Autumn

PA718 Ash tree and hedgerow. Oil on canvas: 36 x 31 cm Neil Bolton Fine Art Painter

Moorland landscape

PA712 High Ash Head Moor. Oil on canvas 51 x  61 cm Neil Bolton Fine Art Painter
First in a current series of paintings based on the moorland near to where I live. This landscape has many challenges in terms of composition not to mention the frequent changes in light, I feel it lends itself do a degree of abstraction which if developed naturally through painting from observation could make some interesting work.

Wednesday, 21 September 2016

September landscape

PA711 September Landscape, North Yorkshire. Oil on board: 31 x 26 cm Neil Bolton Fine Art Painter

Wednesday, 14 September 2016

Cotswold landscape

PA710  Cotswold landscape, late August. Oil on board; 30 x 26 cm Neil Bolton Fine Art Painter

Monday, 29 August 2016

Fields, High Ellington

PA709 Fields of oats, High Ellington, North Yorkshire, Oil on board; 31 x 26 cm Neil Bolton Fine Art Painter

Sunday, 28 August 2016

After the harvest

PA707 After the harvest, near Ellingstring, North Yorkshire. Oil on canvas board; 31 x 23 cm Neil Bolton Fine Art Painter

Monday, 22 August 2016

Trees in a cornfield

PA704 Trees in the cornfield, High Ellington, North Yorkshire. Oil on canvas: 51 x 71 cm Neil Bolton Fine Art Painter

Thursday, 16 June 2016

Drawing and talking with my friend Chris

DR134 Portrait of Chris. Charcoal on paper: 56 x 38 cm Neil Bolton Fine Art Painter
A drawing of my friend Chris Tandy, someone I have drawn a few times and spoken with many more. For me familiarity helps greatly with drawing a person, then both the person drawing and the sitter can be relaxed in the roles of looking and of being observed. Rather than insist on Chris keeping rigidly to a pose which may be appropriate on other sittings, I carried out this drawing whilst conversing with him. During this time I watched how the face moved and built up a knowledge of his facial expressions and postures so that I could have some idea if my drawing had an element of 'truth' to the sitter about it. With this drawing I stopped at the point where I felt that something was being given back to me, it's difficult to be coherent on this subject as it is inherent in the facture as well as the illusory image. I have an experience that sometimes, perhaps after struggling with the structure of a portrait, the drawn marks suddenly coalesce and a presence starts to look back at me, the inert drawing becoming seemingly capable of communicating. This was the point at which I put down my drawing materials and thanked Chris.

Wednesday, 8 June 2016

Farmland in the Vale of York

PA688 Farmland in the Vale of York. Oil on canvas; 26 x 41 cm  Neil Bolton Fine Art Painter